131. Into the woods: Weber, Der Freishütz overture

Terror, excitement and delight – all there in handfuls as Carl Maria von Weber takes us into the depths of the forest for a folk tale of magic, sorcery,  love, good and evil. One of my long time favourites and a brave new world for German opera in Der Fresichütz (“The Free-shooter”). Are you brave enough to go down to the woods today? Listening time, 20mins… Listen

130. Talking about a revolution: Webern, Six Pieces for orchestra

At a time when everything seemed on the brink and the old ways no longer looked fit for purpose, Anton Webern was part of a musical revolution – giving us new ways of hearing music and seeing the world. His six pieces for large orchestra are. Whole worlds compressed into a few minutes of bleak beauty, terrifying dissonance and even more disturbing silence. It’s compelling. Listening time 22mins… Listen

126. Into a black hole… and out the other side? Thovaldsdottir, Metacosmos

Carrying a fragile flower whilst walking a tightrope. Finding the balance between beauty and chaos. Being pulled along by forces outside of our control. On Cacophony we talk about ‘diving into great music’: Anna Thorvaldsdottir’s Metacosmos might be the biggest dive yet – into a black hole! Universal and yet personal, her music is distinctive, compelling, moving and profound. [23mins]… Listen

125. Ain’t no mountain high enough: Strauss, Alpine Symphony

With the wonders of our imagination and some great music to help, all things are possible – so let’s enjoy the views from the top of a mountain: leaving the house (or even getting out of bed) is entirely optional. Richard Strauss takes us over the top (in every sense) in his epic, excessive, exuberant Alpine Symphony, with great views and plenty of thrills but also moments that inspire deeper contemplation on the glories of nature. It’s a trip you don’t want to miss. Listening time 62mins.… Listen

124. Heading North by Southwest with Willie Ruff: Strayhorn, Suite for The Duo

Brilliant and meaningful, North by Southwest may have been the initial name for Billy Strayhorn’s Suite for The Duo, a brilliant, late work for horn and piano: it’s a title that suggests confusion and conflicting ideas about the dying composers direction of travel. It’s a great piece: virtuosic but raw and written with a total understanding of both horn and piano and what they can do.
It’s a longer episode than normal because (amazingly) I was able to speak with Willie Ruff, the horn play for whom it was written. Willie, now in his nineties, joined me from his home in Alabama and he talked about his life and career, the Mitchell-Ruff duo, Strayhorn and how Suite for The Duo came to life. (37 mins)
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