111. Glimpses of the Divine: Esmail, Darshan
Comfortably crossing cultural boundaries, Reena Esmail draws on both western and Indian , composer Reena Esmail draws on both western and Indian traditions to write distinctive music that is at home in both. Darshan is a terrific solo violin piece which transports us to a timeless state ad may even offer a glimps of the divine! Listening time 21mins… Listen
110. Shakespeare, Tchaikovsky, and how great art knows no borders. Tchaikovsky, The Tempest
Shakespeare reaches people across the world with his insights into our shared humanity and his plays have inspired countless composers to write music – providing their own way for us to connect to Shakespeare, each other and ourselves. Tchaikovsky’s The Tempest overture gives us a torrential storm, a big love theme that beats Romeo & Juliet, and one of the most atmospheric, goose-bump-inducing beginning and end to any piece of music. And almost no one knows it at all! Listening time 33 mins… Listen
109. When personal pain becomes universal: Shostakovich String Quartet No.8
How is it that when an artist shares their pain we can all feel it? And how does listening to music full of suffering make us feel better? I don’t know how or why, but I know that it does. Dmitri Shostakovich knew all about war, loss, and suffering. His 8th string quartet is desperate but defiant and deeply moving, bleak but often beautiful and whilst it doesn’t provide any answers it somehow gives consolation to us all. Listening time 28 mins… Listen
108. A short break for bread and Beethoven
We’ve all got pieces of music that instantly remind us of special times and places in our lives. What are yours I wonder? (Tell me!) We’re in Sri Lanka at the moment and, bizarrely, the piece of music we’ve heard more than any other in the last few months has been Beethoven’s perfect little piano piece, Für Elise, but perhaps not as we’re used to hearing it… Here’s the story of why, and how it’s in the ears of everyone Sri Lanka. (Listening time 8 mins: podcast 5′, music 3′)… Listen
107. Made in America: Florence Price, Symphony No.1
Individual, passionate, soulful music rooted in the southern states, Florence Price’s Symphony No.1 was the first by a black woman composer to be played by a major US orchestra back in the 1930s. A Moment of History, but those ‘twin handicaps’ [her words] meant that her music has hardly been played since and we’ve been missing out on great music from a distinctive voice – it’s time to put that right! (Listening time 47 mins: podcast 8′, music 39′)… Listen
106. Ugly, unnatural, ghastly: Dvořák, The Noon Witch
Thrilling, chilling, but still somehow delighting in its brilliance, Dvořák’s Noon Witch packs a punch and leaves you stunned. Also in this episode, free parenting advice and some musings on Dr Suess! Listening time 22 mins (podcast 8′, music 14′)… Listen
105. Roots Manouvre: Dvořák, Slavonic Dances
One of music’s ultimate mood improvers, Dvořák’s “Slavonic Dances” put a smile on everyone’s face. Not merely shallow dance tunes, this is music that shows us the warmest, most generous view of humanity. It’s no wonder everyone loves them! Listening time: 10.5′ podcast and up to 35′ music.… Listen
104. A timeless tale of unrequited love? Schubert, Fantasy in F minor for piano duet
A few years back my Mum got me to buy her this for Christmas and I’ve finally got around to ‘discovering’ it for myself. It’s powerful, intense and profound, Schubert’s Fantasy for piano duet. I think you’ll love it. [Listening time 25 mins)… Listen
103. Tis the season for watching box sets: Wiseman: Wolf Hall
One of my favourite things on TV in recent years has been Wolf Hall. Debbie Wiseman’s haunting and memorable music brilliantly captures all the tension, mood and atmosphere. [25 mins]… Listen