107. Made in America: Florence Price, Symphony No.1

Individual, passionate, soulful music rooted in the southern states, Florence Price’s Symphony No.1 was the first by a black woman composer to be played by a major US orchestra back in the 1930s. A Moment of History, but those ‘twin handicaps’ [her words] meant that her music has hardly been played since and we’ve been missing out on great music from a distinctive voice – it’s time to put that right! (Listening time 47 mins: podcast 8′, music 39′)… Listen

95. A dying woman’s cry from the abyss: Boulanger, Psalm 130

Powerful and moving, Lili Boulanger’s cry From the Bottom of the Abyss (Psalm No.130) shows her deep commitment to her faith, and to her music-writing, in the face of illness. Diana Ambache, long-time champion of women composers, joins me to talk about Boulanger’s short life, major talent and this subtle masterpiece for huge choir and orchestra. Listening time 42mins (Podcast 18′, Music 24′)… Listen

75. Four go to the Beach Club! Amy Beach – String Quartet

American composer Amy Beach was so popular that her followers held ‘Beach Clubs’ to play and listen to her music!
Her Quartet for strings is lean and powerful, as well as being a great jump-off to the world of string quartets: a place fraught with danger for the players, where composers go to bare their souls. Take a listen and join the Beach Club! (21 mins)… Listen

68. An unheard masterpiece from a forgotten master: Henriëtte Bosmans

You almost certainly won’t have heard this great piece or have heard of its writer. Henriëtte Bosman’s wrote her Concert Piece for violin and orchestra for her fiancé, who died before he could play it. Violinist Marina Solarek, tells the story of an amazing, passionate woman, a life and career interrupted by the Nazis, her intense and passionate concerto, and why it’s still so hard to hear great music by women composers. And the great music shows us that we’re missing out. Listening time 36 mins… Listen